Where can I find high-quality guqin？

The external features of a guqin include the body, surface, shaft, and string axis. The body of a guqin is the main part, which can be divided into three types: long body, short body, and small body, with the long body being the mainstream. The visible part on the piano surface has seven string tracks and thirteen badges. The shaft refers to the axle used for the strings, and buyers need to check if it is in good condition and if there is excessive wear. The chord axis refers to the mechanical part used for tuning and also needs to be checked for completeness.
As a musical instrument, the guqin must be able to play. So not resisting fingers, not sanding, and not playing board are essential conditions for an excellent guqin. Then there is the sound. As an exercise, being able to produce a sound is basically enough to satisfy the practice, but as a good friend who accompanies the pianist, the timbre cannot be ignored because it directly relates to the cultivation of the interest of the pianist. A qualified guqin should have a consistent timbre and volume for its scattered, pressed, and overtones. The sound of a guqin should have a sinking feeling, and it is considered good if the sound is not scattered and the charm is long.
A few small details to pay attention to when choosing a guqin: 1. The body (the quality of the body determines the quality of the sound). A good guqin should be sturdy, durable, and well shaped - the strings need to be correctly installed on the body and adjusted in position. The thickness of the body should be kept uniform to ensure stable and unchanging sound quality. 2. The surface of the guqin The quality of the piano surface affects the experience of sound production and playing. A good guqin should have a flat and smooth surface that cannot be felt; the piano surface should be moderately hard, and too hard or too soft can affect the quality of the sound (Choosing the type of string is very important. Some strings have a soft tone and weak expressive power, making them unsuitable for performing high skill repertoire; while others are suitable for performing with high difficulty. Therefore, the selection of strings must be based on one is own playing habits.)